iPhoneography: The Dude’s Abode
Toolbox: Vint B&W, Perfectly Clear, CameraBag, FocalLab
The Dude abides.
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Toolbox: Vint B&W, Perfectly Clear, CameraBag, FocalLab
The Dude abides.
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March 14, 2010
Dallas, Texas
Toolbox: FocalLab, CameraBag
If you’ve taken the Blue Line or the Red Line south from Mockingbird Station, you know the big, long escalator down to the platform. Once you step on, there’s a long time to think about where you’re going, the train you’ll take. Three stories below, you step out on to the platform, only a short distance from where the twin tunnels engulf the yellow and white trains.
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From The Random Photographer blog, here’s an interesting variation of the image-a-day concept — 7 Photos, 7 Songs, 7 Days. In addition to seven (really nice) iPhonoegraphy, “Random Sam” also tagged this set with seven songs — one corresponding to each image. I like his photography, especially his photo “Friday”. The music is a nice touch and adds one more element to each piece.
Here’s the link to “7 Photos, 7 Songs, 7 Days” on Random Photographer. >>>
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February 24, 2010
LAX
Toolbox: CameraBag, FocalLab
Louise stands in the middle of the terminal, facing the travelers and the Chili’s-To-Go. She stands near her accessories, displayed in a glittered case. Her clothes say tropical, or thrift store. Her glasses implore “hide me in in First Class.”
Castro Theatre
January 31, 2010
San Francisco, California
Toolbox: CameraBag, FocalLab
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I was recently interviewed by John Meadows for the On the Log podcast. In “Episode 89: Less is More”, we discuss iPhoneography and using the iPhone with some recent apps to capture the look of old analog photography. It was a fun discussion and I think it’s an interesting interview. Plus, you get to find out whether or not this Texan talks with a twang.
Click here for the podcast On the Log, Episode 89: Less is More >>>
John took the above photo with CameraBag.
Here’s the link to John’s site, On the Log >>>
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This updated Camera Bag post will also go in the navbar above. I wanted to share the evolution of my iPhone. You can read my original Camera Bag post here.
The best camera is the one that’s with you and the one that’s with me nearly all the time is my first generation 8 GB iPhone 2G.
I don’t use one app exclusively to shoot with. I have several and try to match up the image with the app. One of the features that makes the iPhone camera unique is the availability of thousands of photography-related apps. For less than the cost of a DVD, you can basically get a whole new camera experience.
iPhone apps are constantly being created, updated and improved. Since I first wrote my original Camera Bag post, several new apps have been released and several apps have been improved to the point where they have leapfrogged ahead as far as functionality and performance.
I find myself shooting with many different apps than the first time I wrote about my iPhone’s camera bag. Here’s my updated toolbox — the go-to apps I’m currently using.
LOFI
LOFI
Version 1.0
Bottom line: Recommend!
With the name LOFI, I couldn’t pass this app by.
LOFI by Christopher Comair is “a celebration of imperfection.” It’s a digital lomo app. Cross processing results in unnatural color shifts. Lomography tends to be oversaturated and blurry. LOFI wraps your image in both and then turns it up to 11, kicks it around, amps it up and leaves it exhausted and sweaty on a blanket on the sofa. This is probably one of the best free photo apps in the App Store.
Two theaters, The old Arlington downtown and The Grand in Fort Worth.
Camera Bag: Camera Genius, CameraBag, Photogene, Photoshop.com Mobile
I never got to see a movie at The Grand. It was closed long before I ever found it. I had lived in Fort Worth for years and had always heard that part of town was pretty sketchy — dangerous for kids without any street sense.
My best friend and I got brave one day. “Come on, Tom, show me the hookers and the drug dealers. Take me down Rosedale.” Starting from the Interstate, we made our way east. We passed by old wooden houses with peeling paint and bars on the windows. There were red brick churches with leaning signs and hand-me-down playground equipment. As we drove, I saw nothing sketchy. It was just an old neighborhood that had seen better days.
There was a little jog in the road and that’s when I saw the theater for the first time. In this old neighborhood, I didn’t expect to see a movie theater, let alone an old movie palace. We’d stopped at the light. I had a few seconds to look. It was huge and old and was silhouetted against the horizon. The tall balcony side faced the road we were on. The paint on the red brick had worn off over the years — you could barely make out the name. The doors were boarded up. The marquee was blank.
The light changed. We moved on to our Friday night. Over the years, I’ll drive down Rosedale just to see if it’s still there. I pull up to the light and The Grand still greets me.
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